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Wednesday, May 25, 2011

To Win the Heart of a Stranger

To Win the Heart of a Stranger


To win the heart of a stranger, one must be:

Kind, complimentary,
Not to the point of over-flattering.

Prudent, wholesome, fully stable,
Educated, caring, wholly able.

Humorous, respectful, knowledgeable,
Not to mention exceedingly honorable.

Helpful, noble, gentle, tender,
Under control, as not to hurt her.

Witty, cleaver, humble, charming,
Not annoying or alarming.

Honest, refined, polite, sincere,
Proving to each of these adhere.

If one intends to win a stranger,
One must follow every rule.
Wisely keeping clear of danger,
Avoiding looking like a fool.

Attributes opposing these,
Are, in fact, quite crude and canny.
So apply said qualities,
As to become more gentlemanly!

Background: "To Win the Heart of a Stranger" was written back in December of 2010 after an encounter with a rather... Rude, individual. This piece was directly inspired by the exact opposite of who this person was. I got to thinking, "how on earth is this person going to meet somebody and get married... ?" Then I began considering the necessary attributes a person would need in order to attract an individual. At least, a majority of them. The meter is off, but the rhyme scheme is coherently consistent. This piece was written in a matter of minutes after considering the opposing attributes which the young person I met exhibited. Hopefully you have found that this poem has several elements of truth to it.

Basics: "To Win the Heart of a Stranger" details a Gentleman, giving another man advice on how to become more like him, in order to win the heart of one desired. Notice that there are no implications towards physical appearance being a key attribute in attracting one desired. All elements have to do a person's attitude/response. Winning a person is so much more than being the strongest, or fasted, or most handsome. To truly win someone over, one must possess qualities that surpass the physical realm.

Feel free to comment and criticize. I welcome all feedback.

Most sincerely,

~Jacob P. Hartges

Tuesday, May 10, 2011

Our Story

Our Story


When at first I saw you,
I knew not whom I'd found.
You smiled at me, curiously,
And I wasn't sure why,
But this intrigued me.

Could I make you mine?

When you first saw me,
A puzzled expression crossed your face.
Surprisingly, when I blushed, you did too,
At which point, things just fell into place.

Could you make me yours?

When we first spoke,
It was as though the stars aligned.
Everything just... Fit.
You claimed my voice was your reassurance.

Even if I spoke too much.

Though we had our differences,
We still had each other.
In a spellbinding instance,
Over a long summer...

Both our hearts changed with the passing of time,
When you made me yours, and I made you mine.

Background: "Our Story" is an original based off an original. In all honesty, it's difficult to put a sufficient explanatory tag on this piece. This is the one and only piece where I wrote the end before I wrote the beginning. The end was written long ago, but it was not until semi-recently that I came up with a "prelude" for the "climax", so to speak. July of last year marked the month when I completed this poem. Affectionate wording and sweetness of tone ranked as top priority above a substantial meter and rhyme scheme (as, I am sure, you're beginning to recognize as it has become increasingly evident over the past few posts). Properly conveying a message is more important to me than following the "rules." As I have stated in the past, "free-verse" is also an expression of feeling and ultimately considered poetic. Hopefully you are able to appreciate my subtle use of rhyme though not strictly enforced.

Basics: "Our Story" depicts the beginning stages of a love story. A first for two, young people. He smiles, she smiles back, he blushes, so does she. These simplicities are intended to imply purity in each of their intentions. The boy admits to being slightly outspoken, to which the girl responds be reassuring him that his voice is soothing to her. As the poem progresses, it becomes evident that the two have met towards the beginning of summertime. A question soon arises: could this romance be temporal or permanent? The answer remains uncertain. What is clarified, is that the two individuals meekly give their hearts to one another at the duration of summer. Because the piece ends on a gratifying, positive note, it is implied that the two lover's romance beginning in summer continues on, even after the season ends.

Feel free to comment and criticize. I welcome all feedback.

Most sincerely,

~Jacob P. Hartges

To Be Loved

To Be Loved


Teardrops stain the pages as I write,
My ears are alert,
For someone, anyone,
Silently approaching.

Years of sorrow,
Crash down as this one single moment,
Walks up from behind,
And taps me on the shoulder.

She whispers,
"I know what you wish for."
A final tear drips down my cheek,
As I listen, but dare not turn around.

She continues,
"But I also know your secret."
I shudder, knowing she is correct.
"And the answer is no."

When I turn around,
No one is present.
To be loved is one's nature.
To be loved is a miracle.

Background: "To Be Loved" was inspired by a rainy day back in May of last year. I pictured a lonely man in my own backyard, sitting on a stump we have placed next to our fire pit out back. As the rain pitter-pattered against the window, I jotted down the first thoughts that came to mind regarding the concept of affection going full-circle. Bizarre, how such a simple thing as rain can inspire one's train of thought into motion. No rhyming and no meter make this, yet another, free verse piece. Like my others, this poem is also written in first person. Despite the lack of rhyming and meter, I attempted to keep the piece organized, nevertheless.

Basics: "To Be Loved" accompanies a man when he's struck with an epiphany. The man sullenly sits upon a stump, writing something. Be it a letter, journal entry, or poem? Vague and unknown answer. The man is ready to hide what he's writing at a moments notice. He feels as though his life has been building up to something and that in this precise moment, his next move could be pivotal. Vague and unknown answer. Suddenly, he's struck with an epiphany. Although (as stated before) this piece is lacking meter and rhyme scheme, an element of symbolism protrudes. The "she" which the piece refers to, is the epiphany. Initially the epiphany is introduced in a metaphysical sense, but as she continues to whisper, I wanted the man to be struck so intently by her words that she almost appears real (hence his reason for turning around and seeing no one). In the most blatant usage of vague wording, I have the epiphany speak her final words to the man. Utterly vague and unknown answer.

The man sits, pondering how he can love someone so much, but fail to be loved in return. His epiphany? Finally accepting his worst nightmare: That he is not loved in return. It is human nature to love someone, but to receive the same level of affection in return is a miracle. The poem ends as this striking realization occurs to the man.

Feel free to comment and criticize. I welcome all feedback.

Most sincerely,

~Jacob P. Hartges

What a Wonderful Caricature of Sincerity

I cannot believe it's taken me this long to post again. It appears as though my timing is impeccable. Only two more weeks until the end of the school year. This is beneficial because I have four more pieces to present that are worthy of posting online. If I stay true to my "every other week" principle for these four two pieces (posting two tonight and two next week), than my final two pieces shall be posted on the last day of school (for me), the 24th of May.


I apologize for neglecting to post on a regular basis. It is unnatural for me. But, life has its unexpected twists and turns which could almost justify my absentminded lack of sincerity.

My second to last piece is in the process of being proof read.

For tonight, I post yet another piece of myself.

Most sincerely,

~Jacob P. Hartges

Sunday, April 3, 2011

Hold the Phone!

Hey everyone!


So this week I won't be posting a poem because I'll be busy performing in HPA's production of Brigadoon! The following Tuesday I will be posting. Just a heads up!

Thanks!

Most sincerely,

~Jacob P. Hartges

Tuesday, March 22, 2011

Oops! Said the Barber.

Oops! Said the Barber.


"Oops!" Said the Barber...
Then the customer cried...

"You've cut it too short!"
He said right away,
Going on to contort,
"What a mess! Disarray!"

Anyway, the Barber then spoke...

"Hey Mr. Grouch! To you I convey,
I haven't betrayed,
Not at all I do say!
You sit here and whine, while me you survey,
When I haven't an ill trait of mine to display!
I've put up with you, to this very day,
Never once leading astray,
But now I give way!
You're downright rude, so please don't stay,
Leave here, begone now, you got it? Okay?!"

The man replied...

"If I may, I have many friends,
And it may seen cliche,
But I'll name all of them!
There's Ray, Clay, Bray,
May, Kay, Shay,
Janey, Renee, McVey,
Hongwei, Jaquay, and O'Shea.
I apologize for the delay, Mr. Barber,
But in the U.S.A.,
If you make my hair stray,
Which cannot be sprayed,
So it will not stay,
But instead sway,
YOU, I do not have to pay!
So I MAY disobey, got it Jose?"

So the man left, to buy a toupee.

Background: The inspiration for "Oops! Said the Barber" came at the duration of receiving an unfavorable haircut. I had to deal with short, unpleasant hair for five miserable weeks while I waited for it to grow back. After receiving this haircut, I began thinking of my distasteful experience and decided to write out my feelings in comical poem form. The only significance of this piece is that the characters feelings mirrored my own at the time... There is (obviously) NO particular rhyme scheme or meter. A majority of the end consonants rhyme with each other, though the overall effect is relatively choppy. I actually posted this on my main blog page (http://discoverdomostria.blogspot.com/2010/04/oops-said-barber.html) a while back.

Basics: A man receives a poor haircut by a barber one day. The barber reacts indignantly by stating that he has never made a mistake before and the man has no reason to be angry or rude. To this the man reacts by telling off the barber and abruptly leaving the barber shot. Oddly enough, both the characters speak in rhyme. ;)

I apologize that the piece for this week isn't that impressive... When I wrote this piece, it took me all of twenty minutes from start to finish (including proof reading!) to organize the work to where it was in a satisfactory state. I chose this piece for this week because I've been bogged down with exams... When I post on the 5th, I shall have a better piece to share.

Thank you for reading!

Feel free to comment and criticize. I welcome all feedback.

Most sincerely,

~Jacob P. Hartges

Tuesday, March 8, 2011

Box Of Memories

Box Of Memories


I shipped a box to Europe,
With memories inside,
Of feelings past and deeper hopes,
I never thought I'd hide.

In this box were artifacts,
And letters which we wrote,
When we were young and sidetracked,
And sailed the seas of life afloat.

Back I think to years gone by,
To days I thought I'd treasure,
Knowing not we'd go awry,
And face a great endeavor.

Her laugh was quite the pleasing sound,
More than a trifle chuckle.
When heard, my heart would leap a bound,
And both my knees would buckle.

Lush green eyes of hers I'd catch,
Whenever she did wink.
Eyes like hers no one could match,
Not ever I don't think!

Her hair was medium in length,
Shining bright and gold.
The sight of it brought inner strength,
A true sight to behold!

Her face was soft and ripe with youth,
And lightly painted features.
Her perfect smile was easy proof,
There was no finer creature!

What a beauty that was she,
Glorious and picturesque.
At a time someone could see,
A picture of her on my desk.

I close my eyes,
And shake my head,
And breathe a sigh,
And frown instead.

I frown to think that once before,
She was my greatest inspiration.
A constant joy to me and more,
Without a single indignation.

The thought of us and what we had,
Truly makes me cry,
Because she thought me all that bad,
And judged me by and by.

She was my first unwritten song,
Which never ceased inside my mind,
A song I searched for, oh so long,
But never thought I'd find.

Now the music's halting, ending,
I simply can't recall the words.
This song of mine has lost its meaning,
In place of it is pain and hurt.

This horrid bitterness controls me,
From the inside out.
I don't know who, or what to be,
Because of all this doubt.

Sadness, anger, woe!
Inflicted on my very heart.
Injected by this single girl,
Who's torn it clear apart.

I gave a once full heart to you,
To do with as you may.
Alas, I was a bitter fool,
And clueless, I convey.

To your fickle ways,
Of shallow implication.
You seemed to say,
I wasn't worth your attention.

On the day you moved away,
I met you near your old wind chime.
Little had we left to say,
Knowing it was time.

When you finally left this place,
You turned and walked into the dawn.
Stepping with a matchless grace,
Until each step of yours was gone.

Now I snap back from the past,
Blinking back the tears.
Reliving shadows being cast,
Feeling somewhat queer.

I live here now all on my own,
Without your sweet embrace.
You moved to Europe all alone,
Your problems yours to face.

I think, wonder, question, anticipate...

Did you receive my package?

Background: "Box Of Memories" is, in essence, my "crowning glory piece." Written in early April of last year, I feel confident in saying that this piece best exemplifies my writing capabilities. During late March of 2010, I had a conversation with a fellow poet pertaining to "epic poems." It was during this conversation that I realized I had not yet written an "epic" piece which involved serious rhyming, meter, depth, or symbolism. I understand that this piece can hardly be called "epic" (for those of you who are unfamiliar with this term in relation to poetry, an "epic" can be translated to: a poem with length which tells a story). Though it is short in relation to actual "epic" poems/stories (i.e. The Canterbury Tales, The Odyssey, The Iliad), "Box Of Memories" is a more lengthy piece for me, hence my reason for calling it an "epic."
I attempted to stick to an Iambic Pentameter, but as you can see, I diverted from this in a few of the stanzas. Although the meter isn't perfect, the rhyme scheme is quite sound (ABAB). The piece is written in first person reminiscent.
I had been meaning to write a short story in poem form for quite some time, and I was pleased to finally accomplish this ambition after being inspired by circumstances between the time frame of late March to early April.

Basics: "Box Of Memories" gives an account of a man who reminisces about a past lover while mourning the recent tragedy which was their downfall. He remembers her physical appearance while taking careful note of her flawless attributes. In the beginning and ending of the poem, a box of memories is mentioned. The box is significant because it symbolizes the love that the man and the woman shared. There are two possible options which the reader may conclude the man is sending the box to his ex-lover.

1.) Sending the box is a final plea for the woman to change her mind and come back to him.

2.) Sending the box is a negative, insightful act to remind his ex-love of the bittersweet romance they shared.

Neither is specified as to prick the imagination so that you might come to your own conclusion. After describing the woman's radiant features, the man details how special this woman was to him. You may notice that the man switches halfway through the poem from talking about the woman, to addressing her directly, as if he is actually talking to her. I did this on purpose to emphasize the man's standpoint. He then goes on to explain that she eventually rejected him due to problematic personal issues which arose between them in the midst of their relationship. He reacts by claiming that he was abundantly foolish to entrust her with his heart in the first place, for she grew tired of him and began ignoring his words of endearment and acts of affection. In frustration and desperation, the woman moves to Europe as a final attempt to distance herself from the man, leaving him to deal with his conflicting feelings of bitterness and admiration.

I very much enjoy writing pieces that end in woeful tragedy. As strange as it may sound, it makes me feel like Edgar Allan Poe... He happens to be one of my favorite poets for those of you who might have wondered. What I truly desired was to write a poem that was touching and sweet, with a surprising yet captivating twist to the end.

This poem embodies the very heart and soul of what I enjoy writing, and I cannot thank you enough for taking the time to read a little piece of me.

Feel free to comment and criticize. I welcome all feedback.

Most sincerely,

~Jacob P. Hartges